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Draw/1 shows an imagined situation of a fictive strategy game,

which ended in a draw.

Draw/2 shows a seemingly chaotic situation, but also a draw,

with 555 pieces on both sides.

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Joint/1 and Joint/2 shows situations of sharing, joint,

separation and identity. Also, it refers to one of my favourite

poems of Janos Pilinszky:

Life Sentence

The bed is shared.

The pillow isn’t.

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Two common objects of our regular environment.

But considering they are in a classroom and they are iconic

classroom equipments, these two situations are standing as

imprints in the collective memory.

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Two common objects of our regular environment.

But considering they are in a classroom and they are iconic

classroom equipments, these two situations are standing as

imprints in the collective memory.

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Lake Balaton and ’Sweet swimming swami’ are the ones that

are able to bring to the zenith my ability to meditate. By using

gel printing, I could make monotypes, which refer the constant

changing of the surface of the water, compared to which,

even these disposable-like floats can represent permanence.

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I found plastic tubes in the abandoned school building where 2018 Alesd Artist Colony took place. I created mini beach inflatables of the tubes and as if I were modeling, I put them into a miniature landscape-like environment. The photo of this set scene evokes a lakeshore, but zooming out makes us find ourselves in a room. The relation I created by using a chair for children and a table for children determines the imagined, fake reality of the scene.

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This installation came together by working on the theme of vacation with different approach of each aspect of it

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Each one larger than the other, the three inflatable flamingos reflect the symbol-creating power (the symbolic potential) of a world of banalities. The installation is a reflection on how the smallest flamingo, floating in an inflatable pool, as a “negative proof of the impossible experience” (Georgi Gospodinov) – as a piece of reality or a concrete object – emerges from the shallow water of everyday life and becomes ever larger, transforming into a bird of desire. This bird of happiness can fly you to unknown and exotic, therefore beautiful and harmonious world(s) on the wings of imagination. It can take you to the world(s) of your dreams from the gray and monotonous, dull and hopeless world of everyday life. However, because of its shape – since it is a flamingo, too – even the smallest inflatable bird is a manifestation of some kind of objectified desire-supplement, but in order for it to become a true dream, a symbol of desire, it needs to rise, and grow, and fly – to rise above and move away from reality, to grow out of it as “the secretless object of desire” (Ákos Szilágyi).

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A 2016-os KASZ Szimpozion hívószava a játékelmélet volt. A hangszerek mint játékok mindig is nagy hatással voltak rám. Az acéltelepen talált lemezek lecsapott sarkai emlékeztettek a zongora fekete billentyűire. Egy játékzongorát (játékjátékot) hoztam létre, ami csaknem minden szempontból egy „igazi” zongorával ellentétesen funcionál: a billentyűk nem csapódnak vissza, mindkét végük felől billenthetők, hangváltozás a billentyűk két vége és nem a billentyűsor hossza mentén lép fel, stb.

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This artwork is a painting experiment on one hand – how similarly I am able to paint the same thing twice – and a conceptualperceptional experiment on the other hand – how di erently the same thing appears with a di erent background. For this duplicated experiment, I used the kimono as referent, which, traditionally, follows through the karateka from the beginning (white belt) to the end (black belt).